Date for your diary: The inaugural BugPowder London Pub Meet takes place on Saturday, April 6th. 4.00pm at the Za Manga show at Magma in Clerkenwell, then on to the Duke of York pub over the road. I'll be there later at 7.30-ish, but others from the mailing list should be there on time.
The Words and Pictures Museum site is developing into a good link resource. Other museums, organisations, publications and bits and bobs from around the world. Not comprehensive, but fills in a few gaps.
Heads up for the current Comics Journal - it's a good one.
Main draw is a really good interview with John Porcellino of King Cat Comics which will remind you why you're in this game. He's got a new site. Read his comics.
Other items of intertest: Paul Gravett review of British comcs in 2001, with mentions given to BugPowder, SmallZone, Malcy Duff, Borderline, Toby Tripp, Matt Abbiss and David Goodman, plus loads of other things. Tom Spurgeon reviews the Top Shelf Small Batch series, another good Euro Comics by Bart Beaty, a sarky review of Comics International, and other bits. Even the tedious things aren't that tedious this issue. Well worth your fiver-or-so.
The Films of Marni Griffin,
Based on the cartoons of Ralph Kidson.
Ralphies also got a new comic out, Giant Clam #2 is £1 from the usual address, it features work by Craig Burston and Tony 'EastWest' Parsons and Bugpowder's very own DJ Mooncat. I have to state Ralphie is back on top form, so spare him a few quid for a cup of tea.
The CAR-TUNE-ISTS Choice session have their own page now. The offer is still open to any and all cartoonists. Get a set together and get in on this site.
The There Goes Tokyo site has a load of online comics, I discover, featuring work by Malcy Duff, Jim McGee, Leonie O'Moore, Andy Smith, Richard J.Smith, Trevor Smith, Toby Tripp, Dave West and Marty Baumann. With the Bish Bashi events in Newcastle (they'll sell your comic!) becoming a regular thing, these people look like they're slowly but surely becoming a major force. And more power to them.
Oops! In all the excitement I forgot to say that Paul Schroeder, AKA Mooncat, is the new BugPowder DJ, taking over the decks from Nick Abadzis (who's set will be archived soon). Enjoy his Car-Tune-ist's Choice
This exhibition will show the development of Japanese MANGA (cartoons) from their roots in the Chojugiga (Animal Caricature Scrolls) that was produced between the mid-twelfth and mid-thirteenth century, to the present day, when it has become recognized throughout the world as an integrated part of Japanese culture.
Tom Gauld and Simone Lia of Cabanon Press got in touch. They do a number of interesting looking books which they promise to send me, which is a good thing.
Anyone else wants to send me stuff, send it to BugPowder, PO Box 20778, London, E3 4WD
You've got a (comic) book.
You want to print/publish it.
Before you do: get an ISBN number from:
The ISBN agency, Woolmead House, Bear Lane, Farnham, Surrey GU9 7lG
Barcodes are the mark of the beast.
Have a barcode made that relates to the ISBN of your (comic) book.
Normally you need to pay about twenty pounds per barcode, unless you have a friend who can do it for free.
Barcodes aren't essential for all potential retailers of your (comic) book, but, if you plan to sell them through big chains like Waterstone's or Borders, it will help your case. Amazon.co.uk won't sell anything without a barcode.
Make sure the barcode is printed at 1200dpi.
Now publish your (comic) book. Make sure you think your (comic) book is good, and enjoy that feeling while it lasts. Because no doubt, in about a weeks time you'll think it's a pile of shit. And in about a month, you'll know it is.
Next you need to supply Whitaker and Bookdata with relevant information (title, author, isbn, content etc) about the (comic)
book. Get a form from them or do it on the net. It takes months for them to process this information - so do it early.
Once processed, people will be able to order your book from bookshops around the country via a system called Whitaker Teleordering.
Once again, many big chains won't consider selling a (comic) book unless it's available through the Teleordering System. Amazon.co.uk also requires this.
Once published, send a copy of your (comic) book to:
The Legal Deposit Office at the British Library, Boston Spa, Wetherby, West Yorkshire, LS23 7BY with a letter saying you'd like to deposit it for copyright purposes.
Give your address. You'll get a dated receipt from them in a few weeks.
This ensures, in a pretty watertight way, copyright of your work.
Now, for posterity, (and also by law,) send five copies of your (comic) book to the:
Agent for the Copyright Libraries. 100 Euston St, London, NW1 2HQ.
These will be forwarded on to the Universities of Oxford & Cambridge, The National Library of Wales, The National Library of Scotland & The Library of Trinity College, Dublin.
Now trudge around shops asking if they want to take your book on a sale or return basis.
Most importantly, learn to convert rejection into energy.
Really cool database of album covers by comics artists, plus cover art of albums based on comics, or covers featuring comic strips. Needs updating, though that doesn't matter because there's a lot of stuff already on there. (via The View From Here)
The next Bishi Bashi small press and indie comicbook event will take place on the 10th of April 2002, in Newcastle. Event runs from 7o'clock-1a.m. As well as comic stalls there will be a talk by Steve Donald, a screening of a b-movie, an exhibition and prizes.To promote or sell your work or to find out more check out the events section of www.tgtokyo.com
Matt Brooker, the artist known as D'Israeli, informs that his comic colouring tutorial has moved to a new place. (That could have been phrased much better...)
Artbomb appears to be a resource center for readers of graphic novels and other comics of length and seemingly quality. (Brought to my attention by LMG)
Just adding my voice to Simon's recommendation of the Cary Grant strip. I finally managed to download the 20meg PDF and it's a wonderful comic. Very British but with a definite Paul Auster feel to it. Definitely worth checking out.
Apparently Modern Tales has been too successful for it's own good and has exceeded all bandwidth expectations. All should be sorted in the next day or so, so be patient if it's not working for you.
One of thing things about this site is people I haven't known for years keep popping out of the woodwork with wee sites of their own. Mal Earl is the latest. He did a comic called Bedlam Black in the mid 90s and is now working on Stovepipe
If you want to send something to BugPowder HQ so it can sit on the Big Pile Of Stuff, you can send it to this address. More importantly, if you're sending me a package or something of value, send it here cos it's safer that our home address.
Modern Tales just launched and I for one have signed up. It costs $30 a year to access some quality comics and the vast majority of the cash goes directly to the cartoonists. Since pieces like Tom Hart's new Hutch Owen story are long works in progress, this is a way of supporting their gestation.
Simon Gurr would have blogged this if he hadn't forgotten how. Cary Grant on the Hollow Earth site. Simon writes:
It's nearly 200 html pages (1 image per page) but you can download a PDF of
the whole thing. I have to say I found it completely captivating. The
narration, the simple but consistent artwork, the dreamlike quality all had
me hooked straight away. I don't know exactly who's done it - someone known
only as Matthew apparently, and described on the hollow earth site as "The
Bloke from Room".
Well, wadaya know, there's another Mark Stafford portfolio online. Zen Pilot has a bunch of other stuff, but click on Comics, then Stark for the Stafford stuff (or use this link without the frames).
Borderline #8 is out and, amongst other features, has Paul Gravett on Angoleme, a look at Dean Haspiel, an interview with Alexandro "battier than bat shit" Jodorowsky and me writing about Steve Ditko of all things...