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Boobytrap#2
Posted by Mardou

By Jon Chandler

In Boobytrap#1 we find the creator Ripper the Fuckin’ Elephant (a.k.a. ink stud, Jon Chandler) mauled and abused by his many creations: Pussyfoot and Johnny Claws from the ‘Anti-Bad league’, Larry Fearnes and Particle Man. Y’see Ripper loves and needs these cartoon friends (even Black Metal Claws, the dork) even though they’ll violently turn on him if he tries to ever write them out of future comics.

So when I discover that the hero of Boobytrap#2 is Bob Log, a musical legend who rides an oversized trike and wears a helmet with a telephone ‘trunk’ affixed to it, I was inclined to think him another of Jon Chandler’s creations. But no, it seems I missed out on this musical phenomena, something that must be remedied. Bob Log by cartoon standards alone fucking rocks!

Over 32 pages Bob Log rides and slides through aquatic and desert adventures encountering many of Chandler’s plucky characters (including Black Metal Claws who stabs Bob in the back and then goes home to watch Magnum whilst waiting for the cops!) and various bitey reptiles.

Amongst the japery is a 4 page autobiographical story relating how Jon/Ripper came to discover the music of ‘Doo Rag’ and Bob Log. By turns eerily realistic (I now realize that the ex-boyfriend I’d wryly observe taping and then eternally re-editing his Peel Session tapes off the radio, was just one scrappy soldier in a whole army of stay-home, obscure music fan-boys…sigh!) and hilarious: The magic of Ripper shyly approaching his hero wielding a copy of Boobytrap#1, then accidentally slapping Bob Log’s backside, isn’t lost on this reader.

Chandler employs multiple drawing styles over the course of the comic. We get detailed and fluid Bob Log adventures to the looser and more energetic Ripper the Fuckin’ Elephant autobiography. At times it’s reminiscent of Dan Clowes’ Lloyd Llewellyn cube-y style, and then sometimes just helmet-wearing stick figures. The artist knows what he’s doing with each style and for the reader, each one is as enjoyable as the next. And throughout most of the drawing here there’s a kind of musculature that is too hard to describe without using the term ‘penis wielder’, so I’ll move on.

What can I say? This is a great, great comic. Chandler’s a pure cartoonist and Boobytrap#2 seems so effortless it belies the effort and practice it takes to get this good. It’s really exciting to find underground talent like this as Chandler is ahead of his peers. The only apt comparison would be Ireland’s Bob Byrne and his comic ‘Mbleh’, in terms of writing, accomplished art and unique worldview that’s both mystifying and engaging. More, dammit!

£2.25, US comic size, 32 Pages B+W, Colour Cover

from

Gosh Comics
or from the author:
jcboobytrap@hotmail.com

Jon Chandler, 3 Ball Charlie's Motor Exchange, 14 Mill Hill Est, Aldringham, Leiston, Suffolf, IP16 4QB

Posted on June 11, 2004 | Permalink.
Scribe
Posted by Mardou

By David Baillie

David Baillie's short story Scribe, tells of a maimed and unnamed Super villain in retirement, wrestling with his new career as a novelist. The failed ‘Red Herring’, a caped bank robber recounts his experiences from childhood to villainy and explains the accident that cost him his left arm and his freedom, ‘I got five years’. With the loss of his arm he discovers that he does have a superpower after all and wasn’t the total fraudster he felt himself to be. However little really changed for the glum hero. Failure or perhaps fear of failure is the worse fate, which the Red Herring is stuck with unless he can redeem his true self (a storyteller) and write himself out of his void. Scribe is a follow up to the more autobiographical ‘Awkward Fascination’ and is much more writerly, as the title would suggest.
A lot of the same themes persist- self-aggrandizing pitched with introspection and accompanying horror, worldly success matched with internal failure. The stuff that Baillie eloquently writes about in both comics is the stuff that most people (especially those with artistic ambition) can relate to. However there is a change of tone over the two comics. At the end of Awkward Fascination the artist pictures himself naked and trapped in tall, unscalable brick walls. At the start of Scribe the author rather snottily tells us ‘we had better appreciate it’ as the comic took a lot of time and effort. It sets this reader off on the wrong foot and Baillie succeeds more in revealing his own blind spot than invoking admiration.
It’ ,at moments, difficult to separate the fictional Scribe with his author Baillie. His hero, though capable of cheap success (just as Baillie tells us he himself is in Awkward Fascination) really hankers after making his mark, creating something ‘so special, so perfect’.
DB’s hero can see the big picture, see what it is that he wants but somehow can’t grasp. And he misses the details completely, and the details are where God resides, or so I gather. The character bemoans that he has no real contact with anyone and goes days without speaking to anyone except the checkout girl. His only interest is his own void.
The attention to detail is inherent on a technical level also. The hero wants to be like Kerouac but Baillie can’t be even be bother to spell Kerouac’s name properly. It’s a flawed comic, but flaws are okay so long as it’s interesting, and on this count, Scribe succeeds. The artwork functions but only just. It looks like Baillie’s searching for an identifiable style but isn’t equipped as a draughtsman to carry it through.
Bailie’s definitely a talented storyteller capable of creating convincing and well-realised worlds. I’d be interested in seeing him work in partnership with an artist, it has to be said, but for his writing alone I’m interested in seeing future stories.

Price ???
www.davidbaillie.net

comics@david baillie.net

Posted on June 10, 2004 | Permalink.
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